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September,
2000
CD Reviews
INSTRUMENTAL REVIEWS
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BOZZIO
LEVIN STEVENS
Situation Dangerous
(Magna Carta)
An apropos title no
doubt, for whenever these three incredible players get together the
situation indeed turns dangerous and for music lovers, awesome. While
their self-titled Magna Carta let loose the trio’s secret, it’s really on their
new one that reveals just how far BLS have come together. Terry Bozzio, of course goes back all the way to the dawn of
American instrumental prog-rock with his drumming on the now-fabled
self-titled Group 87 debut. In the spirit of that 1980 classic, Situation Dangerous is a
phenomenal union of avant-gard rock and crafty fusion that words can’t
begin to describe. Guitar monster Steve
Stevens, ripe from the release of his ‘99 classic Flamenco
A-Go-Go, comes alive with some exquisite fretboard work, while veteran
bass master Tony Levin furthers
his ongoing legacy. Comparing the first BLS album with Situation Dangerous, Terry Bozzio adds, “The biggest difference is
that we had a week to rehearse! There is more structure which might
possibly lead one to think that it is more accessible. There's some
beautiful music, there's still a lot of burning playing and everybody is
featured really well. It's still very eclectic. But instead of there being
long periods of 'everything goes' which we had on the first album, it's
more mapped-out. It's not as extended or jam-oriented”. A compelling new
CD from three of the most gifted musicians performing today, Situation
Dangerous is an album of fearless instrumental rock. www.magnacarta.net
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STEVE
MORSE
Major Impacts
(Magna
Carta)
Guitar
great Steve Morse honors the guitar styles of his biggest influences on
his first CD on Magna Carta.
Morse adds, “The challenges were there, like trying to give the
impression of a guitarist in a vocal band with an original piece of music
that doesn’t use lyrics. If part of my record reminds you of another
tune, you can be pretty sure it was intended.” On “Something Gently
Weeps” Morse brilliantly evokes the slide guitar sound of Beatles
ax-great George Harrison, while
“TruthOla” is a Morse salute to guitarists Jeff
Beck, Alex Lifeson and Eric Johnson.
“Migration” conjures up images of Roger McGuinn with The Byrds,
while “Led On” is Morse code for Jimmy
Page and so on for 11 rockin’ tracks. Performing tight as a drum
rhythm section chores is Dave LaRue
(bass) and Van Romaine (drums).
Not only does Morse come up with a pretty interesting concept here, but
he’s written some mighty fine tunes with good hooks to back it up.
Let’s hope that Morse gets to volume two in the near future. www.magnacarta.net
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MIND
GALLERY
Three
Meals From Revolution
(MG Productions)
Renowned
for their two previous albums, Vancouver-based Mind Gallery keeps the
spirit of instrumental rock alive and well with their latest CD. Possibly
the group’s best to date, Three
Meals From Revolution combines the sound of progressive rock and
instrumental music with a steady flow of inventive and challenging
neoclassical and avant gard musical ideas. Their music is always tuneful
and congruous with just the right amount of prog-rock dynamics. According
the group’s keyboardist, Elio Bruno, “"I always considered prog-rock the classical
music of our generation”. Bruno & Co. prove that point to perfection
with an outstanding array of dazzling, rocked-out instrumentals. Filling
out the Mind Gallery sound is Gary
Bourgeois (guitars), Tracy
Gloeckner (drums) and Mike
Anderton (bass). Each member is a masterful performer and each proves
his worth as a strong composer. If you’ve ever wondered what groups like
Yes or Genesis, in their prime, would sound like if they went instrumental
you owe it to yourself to check out Three
Meals From Revolution. www.mindgallery.com
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VOODOO
DOGS
Voodoo
Dogs
(Palmetto)
Is
it jazz, funk, world music or hip-hop? The debut album from Voodoo Dogs is
all that and much more. Masterminded by Larry
Goldings (keyboards) and Bob
Ward (guitars), Voodoo Dogs blends in so many diverse styles of
instrumental music that it’s almost impossible to pigeonhole. Just when
you think the set is going for a smooth jazz groove, in comes a sitar or
an acoustic slide guitar sound. More jazz-based than rock or world beat,
the Voodoo Dogs sound still owes alot to jazz pioneers like Wes Montgomery
and organ master Jimmy Smith although there’s countless other modern
music influences on hand. The CD’s smooth jazz tendencies aside, the
best tracks here include “Spellbound”, “People Unite” and “The
Birth Of Life”, tracks that successfully mix up the jazz vibe with
colorful and unexpected World Beat instruments, background voices and
rhythms. Ward and Goldings are accompanied by drummers and Avishai Cohen and Billy
Drummond and Tim Ries (flutes,
sax). Much like the bizarre cover art, Voodoo
Dogs is going to amaze and impress jazzers and World Beat music buffs.
www.palmetto-records.com
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HAROLD
HENKEL
Halcyon
Blues
(H.H.)
Guitar
fans into the widest possible variety of musical styles on one album
should check out the latest disc from L.A.-based Harold Henkel. A master
of ‘string percussion’, which involves using both hands to tap out
notes along the neck of the guitar, Henkel cites Stanley Jordan and
Michael Hedges among his big influences in developing his unusual style.
As impressive as that is, it’s just one aspect of the Henkel sound. When
he’s not dazzling you with his uncanny command of his Octoprotozoid
(eight string guitar), Henkel is on track exploring a spectrum of diverse
musical moods. One minute there’s a jazzy Wes Montgomery-flavored track,
the next a rock fusion instrumental then the next an acoustic
mood-altering moment. A master of diverging guitar styles and techniques,
Henkel is well assisted on Halcyon
Blues by Spinal Tap drummer Ric
Parnell, Elgin Seals (wicked
bass), Andrew Hooker (rhythm
guitar) and Bruce Monical (percussion).
Considered a ‘musician’s musician’ by players in the know such as
Bob Weir and George Clinton, Henkel’s resume includes credits with Gong,
Todd Rundgren, P.F. Sloan and Stevie Wonder to name a few. Henkel is
obviously a name for guitar buffs to know. Well worth the time to hear,
the 14 track, all instrumental (+ one vocal cut) Halcyon
Blues is a sonic delight from start to finish. www.hollywoodmusic.com
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DOMINIC
GAUDIOUS
The
Clearing
(Acoustic
World)
A
rising guitar luminary, Chicago-based acoustic guitar wiz Dominic Gaudious
received numerous accolades for his 1999 album Acoustic
Captivity and he now returns with a striking new 2000 album.
Following up on the primarily solo acoustic quality of his earlier
album, the 12 instrumentals comprising The
Clearing merge Dominic’s mesmerizing acoustic playing with some
tasty electric guitar work topped off by assistance from Kurt Ransom
(drums) and Joey Hoffman (keyboards). The young guitarist is quite adept
at blending musical genres such as New Age, classical, jazz, Flamenco and
folk and now with The Clearing, Gaudious also taps into his original curiosity in
instrumental rock and jazz. Recorded in Atlanta, The Clearing will provide splendid listening for fans of acoustic
greats like Leo Kottke and Michael Hedges as well as jazz guitarists John
McLaughlin and Al DiMeola. www.dominicgaudious.com
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THE
SPACE COSSACKS
Tsar
Wars
(MuSick)
In
the spirit of their ‘97 MuSick
Recordings debut Interstellar
Stomp, Tsar Wars furthers the reputation of The Space Cossacks as
trailblazers of the 21st Century instrumental rock scene. Surf-Rock
legends The Ventures and U.K. rock and roll greats The Shadows helped pave
the way for instrumental rock at the dawn of the ‘60s and The Space
Cossacks should be praised for keeping that spirit alive and well.
Featuring the electrifying playing Croatian-born guitar ace Ivan
Pongracic & Co., Tsar Wars serves
up 15 rocked-out instrumentals with names like “Space Race”, “Beyond
The Third Star” and “Cossack Rocket Patrol”. From the label that
brought you instro rock classics such as Swingin’
Creepers-A Tribute To The Ventures and An
Evening In Nivram-A Tribute To The Shadows, Tsar
Wars is a super sounding disc and is a must for long time fans of
guitar-based instrumental rock. www.musickrecords.com
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MWE3.com CD Reviews Editor Robert Silverstein,
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