|  |  Following the acclaim of their latest release, The
      Ladder (Beyond), the Yes group rolled into NYC for three shows at the
      Beacon Theater on December 7, 8 & 9. A number of the 20th Century
      Guitar crew were on hand for the December 9th show and the general
      consensus was that the night was an absolute success. Kicking off with The Yes Album evergreen “Perpetual Change”, Yes took the crowd
      by storm with their 21st Century progressive rock spirit. As great as the
      new live versions of “And You And I” (from Close
      To The Edge) and “Awaken”
      (from ‘77s Going For The One) were,
      it was the newer numbers from The
      Ladder that provided the evidence that the men of Yes have even
      further evolved as master musicians. It was a tad disappointing that
      nothing was performed from recent albums like Open
      Your Eyes, Talk and Keys To
      Ascension, yet it was abundantly clear that the fervent fans on hand
      that night would go bonkers no matter what the group played. Perhaps the
      best thing about The Ladder, and about the Yes of the late ‘90s in general is the
      returning of guitarist  Steve Howe to the creative fold. With and without
      Howe, Yes have always been a formidable sonic force emitting enough power
      to fuel a small planet, and with Howe regaining the lead and acoustic
      guitar chores, the band once again revitalize, this time with high-tech
      accuracy, the early ‘70s guitar-based orchestral prog-rock sound that
      first brought them such amazing acclaim. In addition to his fine guitar
      work on late 97’s Open Your Eyes and The Ladder,
      Howe has also pleased his fans with several fine solo albums in the
      ‘90s with a special mention going to Pulling
      Strings, released earlier in ‘99. In the spirit of his ‘94 album Not
      Necessarily Acoustic, which chronicled his ‘93 American one man
      concert tour, Pulling Strings is an audio souvenir culled from two dates on
      Steve’s late ‘94/early ‘95 Pulling Strings tour of the U.S. Released
      by the U.K.-based Resurgence Records in 1999, Pulling
      Strings brings back memories of earlier works with Yes (including
      acoustic excerpts from Close To The
      Edge and Relayer) and his
      days with Tomorrow (“My White Bicycle”). Other highlights include
      innovative Howe takes of the vintage instro chestnuts “Misty” and
      “Classical Gas” (backing tracks and all!) and a moving cover of the
      controversial “Blinded By Science” from his mid ‘90s album classic The
      Grand Scheme Of Things. An essential companion CD to Not
      Necessarily Acoustic, Pulling Strings boasts good audio, color photos
      of the master in action and valuable web and guitar tech info. www.nfte.org/Steve.Howe
 
 |  | 
  
    |  |  King Crimson fans following the
      group’s ongoing activities should note that their record label,
      Discipline Global Mobile recently reissued a 30th anniversary edition of
      the fabled first Crimson album, In
      The Court Of The Crimson King on CD
      complete with a unique oversized mini-replication of the original
      album art, 24-bit remastering and an impressive CD booklet featuring press
      clippings of early reviews and new liner notes by KC guitar icon Robert
      Fripp. Improved sound-wise over previous CD reissues of the famed In
      The Court Of...,the
      Discipline stamp of approval is all over this one. DGM has also just
      issued a tasty, 25 track, double disc live sampler set of tracks from a
      variety of Crimson line ups of years past. Entitled Circus
      - The Young Persons’ Guide To King Crimson Live, the enhanced CD set
      is separated into two CDs, Neon Heat
      Disease - 1984- 1998 (disc one) and Fractured
      - 1969-1996 (disc two). Disc one, featuring recent live tracks of the
      current Crimson line-up, is a textbook example of exactly how state of the
      art progressive rock should be played in concert. www.discipline.co.uk 
  
      
     |  | 
  
    |  | As far as cosmic instrumental
      music goes, it doesn’t get much better than the French group Air. The
      group debuted last year in the U.S. with their critically acclaimed CD, Moon
      Safari. Their U.S. label, Astralwerks / Caroline Records recently made
      available a splendid 30+ minute set of early Air singles, B-sides and
      remixes entitled Premier Symptomes (First Signs). A made for
      the ‘90s mix of keyboard laden atmospherics with added sampled guitar
      effects, Air’s ultra-relaxed,
      smooth ambient groove comes off like Tangerine Dream produced by Henry
      Mancini! Caroline have also just released a new Air DVD documenting the
      group’s ‘98 tour entitled Eating,
      Sleeping, Waiting & Playing. A new Air CD of soundtrack music will
      see release on Astralwerks in early ‘99. www.astralwerks.com 
 |  | 
  
    |  |  Biggest disappointment of 1999:
      Had to be the aborted U.S. release of Bali,
      the new CD from the fabulous L.A. pop group The Wondermints.
      Considering The Wondermints’ June ‘99 concert tour supporting Brian
      Wilson, the pending release of Bali, on the N.Y.C.-based Big Deal Records, looked like a sure
      thing. Well, lo and behold the album never materialized. This writer was
      fortunate enough to procure a CD of Bali,
      a Japan-only release, from Wondermints member and pop wiz-kid Darian
  Sahanaja, who, together with bandmates Nick Walusko and Mike D’Amico
      have created a work of true pop brilliance with Bali.
      What a shame their American fans still have to wait for the CD’s
      (hopefully?) imminent stateside release. 
  
      
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