Roger Daltrey (RD): Hi Robert. How are you?
        
        Robert Silverstein (RS):
         Roger! It’s a real honor
        to speak with you. Back in ‘65 when I was 11, one of my proudest
        possessions was The Who’s Decca single of "I Can’t
        Explain". I was one of your earliest teenybopper fans here in New
        York.
        RD: Oh fantastic. Wow. For an eleven year old that’s
        pretty amazing!
         RS: And ever since then I’ve been a huge Who fan. I
        just want to start by saying, seeing The Who on stage at the Concert For
        NY Fundraiser in Madison Sq. Garden on Oct 20th will surely give
        a sense of spirit and strength to those who’ll be there as well as the
        millions tuning in show. How did The Who come to get involved in the
        October 20th Concert For New York at the Garden?
RS: And ever since then I’ve been a huge Who fan. I
        just want to start by saying, seeing The Who on stage at the Concert For
        NY Fundraiser in Madison Sq. Garden on Oct 20th will surely give
        a sense of spirit and strength to those who’ll be there as well as the
        millions tuning in show. How did The Who come to get involved in the
        October 20th Concert For New York at the Garden?
        RD: We were asked to do it by Harvey Weinstein and you
        can’t say no. I mean, it’s as simple as that. I mean those people
        gave their lives. The least we could do is give our time. It’s as
        simple as that. We’re all in this together. We’ve all got to pull
        together on this. And we’ve got to get on with life. We’ve got to
        learn to laugh again. We’ve got to learn to enjoy ourselves again,
        otherwise, these lunatics out there - because there’s no compromise
        with these people - have won.
        RS: They’re telling us to carry on with our usual
        activities otherwise the terrorists win.
        RD: Well you have got to. I mean, we have had terrorism
        in England for a long time, as you know, with the Irish problem. So you
        do get used to living with it. I mean it’s never been on the scale
        that you have it there. But that’s more by luck (and a series of alot
        of events) than anything else. But I mean we lived with bombs for thirty
        years, and people being blown up on the street. But you do get used to
        it. And you do learn to live your life through it. And obviously every
        life lost is a complete tragedy, in whatever conflict, but you’ve got
        to get on with life. Life is very precious. It’s there to be lived to
        the max. You pull yourself back, and get there.
        RS: On a lighter note, I’ve been playing the new
        double disc Who DVD Live At The Royal Albert Hall just out on
        Image Entertainment. The sound and video are simply stunning and the
        sound is so tight it’s almost like The Who never broke up...
        RD: We didn’t break up! We just stopped touring. And
        we did stop touring. You have to remember the touring that we stopped
        was non-stop on the road and we just had enough of it. And we didn’t
        tour for eight years and (then) we did a kind of reunion tour. Y’know
        Pete kind of mooted that he’d left the band, but I don’t think
        spiritually he’d ever left it.
        RS: Was that the first time The Who played The Albert
        Hall?
        RD: Oh no we played many, many times.
        RS: The Royal Albert Hall DVD features The Who as a five
        piece with Rabbit on keyboards and Ringo’s son Zak Starkey on drums.
        Zak’s playing is great and it sounds very Keith Moon inspired.
        RD: Well it is. Moon was Zak’s tutor. Ringo gave Zak
        his first drum kit, then unfortunately they were going through a nasty
        divorce. Moon was a really good friend of the family and actually taught
        Zak to bang the skins. To turn the drum sticks around and use the fat
        end! (laughter)
        RS: Is Zak a member of The Who now?
         RD: Well we just love him as a person considering what
        he’s been through in his life. Extraordinary, imagine what being the
        son of a Beatle is. I’ve got the utmost respect for him as a musician
        and as a human being. Fantastic guy.
RD: Well we just love him as a person considering what
        he’s been through in his life. Extraordinary, imagine what being the
        son of a Beatle is. I’ve got the utmost respect for him as a musician
        and as a human being. Fantastic guy.
        RS: The Royal Albert Hall DVD features a great balance
        of early, middle and later period Who songs. With so many great songs to
        choose from, how did you select the tunes that ended up on the new DVD?
        RD: It’s the biggest problem we get with The Who. Y’know
        everybody says, we want a new album, we want a new album, which we are
        going to try and produce, but we still got the problem that we can’t
        play what everybody wants to hear at one of our shows at the moment. So
        you kind of just pick the ones that you think will make a really good
        performance, you go through a few obscure ones for the real Who fans and
        you keep the popular ones in there for people that have never seen The
        Who before. It’s kind of a juggling act. You can’t please all the
        people all the time. You do your best.
        RS: It was also great to see new revivals of "The
        Relay" and "Let’s See Action" on the new DVD. Wasn’t
        "The Relay" part of Pete Townsend’s original Lifehouse
        concept?
        RD: Yes.
        RS: Looking back on the song what do you think Pete was
        expressing in "The Relay"?
        RD: Talking about what a song’s trying to say is like
        talking about art (laughter). Y’know, I think it’s in the eye of the
        beholder and the ear of the listener. (You hear) one line, and so many
        people will get two completely different things from it. So I don’t
        like to talk about those things.