Referred
to by music lovers in the know as the greatest instrumental surf-rock
band in New York City, The Supertones, featuring guitar ace
Tim Sullivan, have yet another fine new album with the 2013
CD release of the 16 track Mysto Incognito. The
Supertones have long been associated with instrumental surf music
in the spirit of legends like The Ventures and Dick Dale and on their
new CD they dont disappoint. Mysto Incognito features
a round of fresh Supertones originals along with classic covers
by the likes of legends like Jerry Lordan (Diamonds) and
a new Supertones cover of Harlem Nocturne, no doubt enhanced
by the inclusion of a new Tim Sullivan original called Rockaway
Nocturne. Commenting on the CD title track, Tim explains, 'Mysto
Incognito is one of the songs that I had written when I was
in music school in the mid 70's and was never really able to get the
guys to play it because it wasn't a rocker. Luckily we know better
now and the guys really added something very special to it. Sammy's
drumming and Simon's upright bass makes this one of my favorite songs
of mine.' This latest Supertones lineup truly does justice to these
rockin rave-ups. Mysto Incognito is one of the coolest
instrumental guitar albums of 2013 and it will not disappoint long
time Supertones fans. contact: SupertonesSurf@hotmail.com
mwe3.com presents an interview
with
Tim Sullivan of THE SUPERTONES
mwe3: Tim, the new Supertones CD Mysto Incognito is
one of the best guitar instrumental albums of 2013. Is there a story
behind the making of the album, how it came about and where and when
was the music written and recorded? Overall what did The Supertones
set out to achieve with Mysto Incognito this time around?
TIM
SULLIVAN: Well what we wanted to do here with Mysto Incognito
was to try and capture the raw energy of our live performances which
we felt had been lacking in some of our previous recordings, when
we play to a live audience and we get them up and moving and dancing.
Thats what this record is all about, even though we recorded
this in a studio and did do some overdubs etc... this is the Supertones
live 2013. This record was finished a few months back and we started
on it about a year ago. A lot of these tunes are all songs that we
had recorded in the past but have now redone with more raw power and
energy.
mwe3: Who plays on the new Mysto Incognito album with
you in The Supertones and how would you describe the chemistry between
you and the other players in the Supertones these days? How would
you compare this lineup of The Supertones with the band as its
been recording over the past two decades and can you give a little
history of The Supertones? It sounds like youve stayed loyal
to the original premise of the band yet as times change, the band
has also evolved right?
TIM SULLIVAN: Great question. The chemistry right now with
The Supertones is like a very powerful spiritual drug. When Sammy
Baker, Simon Chardiet, Seth Lipscher and I play we get a groove happening.
It is like an ascension into nirvana, and what I mean by that is the
music takes us to another place that we can only go as a groupthis
is why we do it. I feel that music is one of the most powerful
forces in our lives. Music is always fresh and full of surprises.
The original premise and really what we are all about is to stay true
to our influencesDuane Eddy, The Ventures, The Shadows, The
Raybeats and Jon & the Nightriders and that BIG Fender guitars
sound when Ted Lawrence and I met in 1988 in my guitar shop in NYC
and formed The Supertones with Marc Lipsher and Mike Arcidiacono.
This would be the first incarnation of The Supertones. Then in 1993
when Ted left to form Purple Knif we brought in my surfing buddy Mike
Mandina on second guitar. Then in 2000 Mike Arcidiacono and Marc left
and we brought Presly Acuna on drums and Simon Chardiet on bass. Then
around 2008 Presly and Mike Mandina moved out of NYC which bring us
to the present and 4th incarnation of The Supertones with Tim Sullivan
on guitars, Seth Lipscher, (Marcs brother) on second guitar,
Sammy Baker on drums and Simon Chardiet on bass. One of the things
that I am the most proud of is that over the years we all have remained
close friends. No big ego here, just that the music comes first. The
Supertones family is what this music is all about.
mwe3: When did you become so interested in instrumental guitar
music and the entire surf music realm? I know youre also a surfer
too. Can you give a little history on your early exposure to the guitar,
to music in general and the instrumental guitar genre? Who were your
early guitar heroes, favorite bands and whats your take on the
worlds endless fascination with surf music and the entire surf
inspired guitar instrumental genres? Seems like where ever theres
a wave breaking or a tropical sunset theres a song to go with
it!
TIM SULLIVAN: Well I come from a very musical family. Both
my parents are Irish and everyone plays some kinda musical instrument.
My mothers family were all professional musicians going way
back. My great grandmother was playing piano in the silent movie houses
back in the day and my mother played and taught piano. My dads
family all played boogie woogie and ragtime piano like Jerry Lee as
well as the guitar and banjo, so those two instruments were always
around. My first guitar was given to me by my uncle Len Costello in
1963 and right away this kinda music got me and my brother, who was
a greaser in Virginia at the time and was really into early rock n
roll. He had Duane Eddy and Ventures albums and that was a major influence
on what I heard and wanted to sound like. After a while of banging
away on the guitar, my mother wanted me to take guitar lessons and
was good friends with the
owners of our local music store in Jacksonville, North Carolina. When
I went for my first lesson she told my teacher that she wanted me
to learn how to read music and to learn Perfidia and Walk
Don't Run by The Ventures (yeah mom!) which I did. My guitar
teacher, who was in a local Ventures cover band, lent me all his Ventures
albums which I still have and had me come up on stage when I was 10
or 11 and play Walk, Don't Run with him. Also around this
time surfing became a major obsession of mine. My father, who was
from California and was a big surfer, got me into surfing and for
about 15 years that all I did was surf surf surf, and play guitar.
When it became time for me to go to collage I chose a place were I
could surf and study music and classical guitar. This was the early
70's. While I was in collage I took a ballet class mainly to improve
my surfing and to meet chicks. As it turned out I was pretty good
at it and danced with the Florida ballet and was offered to come to
NYC to study which I did, this was 1979. At this time every one had
moved out of NYC so it was a wide open place. Around the early 80's
I got into the NYC rockabilly and retro music scene that was happening.
This is when I decided that I would try to get a surf band together
to play Surfabilly in 1983. This also is when I meet Marc Lipsher
and got a job in a music store at the Chelsea Hotel which has been
my home ever since. Both Marc and I had played with The Dragsters
plus Mike Arcidiacono had a surf band called The Tidal Waves which
later evolved into The Supertones in 1988.
mwe3: On the new Mysto Incognito, theres a predominance
of new Supertones originals but theres also a cover of the Jerry
Lordan classic Diamonds and the classic Harlem Nocturne.
Can you say something about those two tracks, why you chose to record
them on the new CD and what they signify to you? Also the title track
Mysto Incognito is one of your best originals. How about
the story on that track?
TIM SULLIVAN: Jerry Lordan is one of my major song writing
influences. When I was very little, The Ventures Surfing album
was what I would listen to over and over. The song Diamonds
was one of my all time favorite tunes on that record. Their version
of that song really captured, for me, what surfing was and is even
the word Diamonds, in surf terms means an epic day of
surf so I wanted to do a new version of that song as a tribute to
my heroes, The Ventures and Jerry Lordan. Now Harlem Nocturne,
which is one of the great instro blues tunes of all time and not an
very easy piece to play at all, was something that I have always wanted
to record and never had until now. I love playing it and its
always a show stopper. Mysto Incognito is one of the songs
that I had written when I was in music school in the mid 70's and
was never really able to get the guys to play it because it wasn't
a rocker. Luckily we know better now and the guys really added something
very special to it. Sammy's drumming and Simon's upright bass makes
this one of my favorite songs of mine. I did use my Blackface 1964
twin and my gold JM on most of these tracks and is pretty much all
live to keep it fresh.
mwe3:
What guitars are you primarily using these days? What guitars are
you playing on the Mysto Incognito CD? How about amps, strings
and other guitar effects youre using on Mysto Incognito
and how about the guitars and other guitars used by you and your band
mates Simon Chardiet and Ted Lawrence?
TIM SULLIVAN: These days I have been using a AVI Jaguar 2006
and a 2004 MIJ all gold Jazzmaster with a huge neck on it. That is
my main ax which just sounds insane and in the studio I use my Blackface
64 Twin and or Blackface Pro Reverb. Sometimes I will use an
old Echoplex to fatten up my sound. Now when I play live I been using
a 150 watt Crate Power Block with one 12 cabinet that kicks
butt live and I use a Boss FRV-1 and a T-REX tremolo pedal and sometimes
a Boss Space Echo. With strings I have been using D'addario Chromes
Flats 13-56 and I have always used Flats since the early
60's. Now Ted uses pretty much the same set up as well as does Mike
Mandina but Seth has been using a Tele or Les Paul Gold Top with P-90's
through Fender Deluxes for the rhythm stuff. Simon played a
reissue Tele bass, a Kay upright bass, a Hammer 12 string bass and
a Rickenbacker.
mwe3: Who else was involved in the making of the new Mysto
Incognito CD? I saw Eric Ambel was involved in the mastering.
How did you balance the production of the CD and what was involved
in the production of making the CD in your opinion? Also the Mysto
Incognito cover art is classic.
TIM SULLIVAN: We were really lucky this time out we did all
our recording at Melody Lanes studio in Williamsburg Brooklyn, right
in the heart of hipsterville. The studio has a great small live room
with 18 foot high ceilings and gets a really insane drum sounds. With
Jay Braun doing all the engineering and our multi talented drummer
/ producer Sammy Baker getting a great live drum sound, it makes it
really easy to get a
great sounding record. Then you add Simon Chardiets basses and
producer's bass in consort and you get a raw, very powerful bass and
drum sound which made it real easy for me to soar and do my thing.
The art work was my idea with Andrew Wendel doing a fantastic job
of putting my vision down on paper. It does have some meaning but
really it's just a refection of the times that we live in. Mastering
by Eric Ambel at Cowboy Technical Services and last but not least
project coordinator and music director Simon Chardiet who really made
this all possible.
mwe3: Whats on the horizon for The Supertones this year.
How about other things youre involved with both musical and
otherwise. Thanks for the interview Tim, good luck to you and The
Supertones.
TIM SULLIVAN: I have never been busier than right now with
The Supertones. We play live a few times a month and right now we
are finishing up the last of two albums from this project that we
have been working
for the last year. We recorded about 40 more songs that we are almost
done with it. Its going to be two records, the next one is going
to be all classic surf covers named The Supertones - Going To A
Rock n Roll Dance Party and its really a record
to dance to and a feel good record. The final album will be all originals
called The Supertones - The Sweet Ride. I just want to say
it was a real pleasure talking to you and the most important thing
you can do in life is to be true to who and what you are and always
be authentic to it, that will set you free. Cheers surf brothers...
Thanks to Tim Sullivan and The Supertones @ SupertonesSurf@hotmail.com