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JANUARY / FEBRUARY 2005
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ALAN PARSONS
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PROCOL
HARUM |

BILLY TALBOT BAND
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JOHN FOGERTY |

MARK KNOPFLER |

DAVID BOWIE |
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ALAN PARSONS
A Valid Path
(Artemis)
Starting
his career as a recording engineer for The Beatles and Pink Floyd at
Abbey Road, Alan Parsons went on to a star-studded solo fame of his
own and he lives up to his near exalted reputation with his 2004 Artemis
Records debut. On his earlier albums, Parsons tapped into the classic
rock mode and on A Valid Path he neatly combines his sound with
forays into the beat crazy world of electronica, filling the grooves
with poly-rhythmic drum beats and soaring guitar solos, some performed
here by Pink Floyd ax-man David Gilmour. With Parsons handling
the vocals, keyboard, bass and some guitar parts, the CD also features
some tasty electronic programming P.J. Olson, The Crystal
Method, guitar and vocals from Ambrosia founder David Pack and
even a vocal from U.K. comic John Clesse. Parsons latest
fusion of electronica instrumentals and vocal pop works brilliantly
on every imaginable level. www.5point1.net
/ www.alanparsons.com
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PROCOL
HARUM
Live At The
Union Chapel
(Eagle Vision)
He
may have a graying mane and a face thats weathered the pinnacles
of 20th Century musical greatness, yet the twinkle in Gary Brookers
eye suggests he still has alot of gumption left in him. That and the
fact that he still loves playing the music of Procol Harum for live
audiences is at the root of a 2004 live in concert DVD on Eagle Vision
entitled Procol Harum Live At The Union Chapel.
With its gothic interior, built in 1877, the Union Chapel
is perfect for Procols neoclassical prog and heavy blues sound.
Expertly captured on Friday, December 12, 2003 before some of their
most appreciative U.K. fans, Brooker and company live up to their impeccable
legacy. Having revamped Procol in the early 90s after a false
start reunion with original guitarist Robin Trower, Brooker and his
songwriting cohort Keith Reid miraculously struck up Procol
yet again for their 2003 Eagle Rock CD The Wells On Fire, the
best of which is recalled in live performance on the Union Chapel
DVD. Filmed on the last night of a tour that saw them playing on
three continents, including Europe, North America and Asia, Live
At The Union Chapel serves up a wide range of classic Procol, both
new and old, including 60s favorites from Shine On Brightly
and A Salty Dog, 70s classics from Home and
Broken Barricades, not to mention their trademark song A
Whiter Shade Of Pale and a near forgotten rarity called Good
Captain Clack. In addition to showcasing a brilliant performance
from Brooker (vocals and keyboards), Matthew Fisher (B-3), Geoff
Whitehorn (guitars), Mark Brzezicki (drums) and Matt Pegg
(bass), the 2+ hour DVD features cool extras including an interview
with Brooker, a high speed, unfurling montage of the Union Chapel stage
set up and a segment called Comments From The Bar, giving
long time U.K. fans a chance to voice their opinions on one of the greatest
rock groups ever to come out of the United Kingdom. www.procolharum.com
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BILLY TALBOT BAND
Alive In The Spirit World
(Sanctuary)
Best
known as the bass player in Neil Youngs band Crazy Horse, Billy
Talbot steps out on his own with the long awaited debut CD from the
Billy Talbot Band. Touched with musical deja vu, the CD features Talbot
performing the acoustic / electric guitar and vocals with assistance
from four other guitarists, including his long time cohort Matt Piucci
on electric guitars, keyboard and judicious mellotron sounds. With
drumming ace Stephan Junca laying down the beat, Talbot breaks
out on an album that sounds remarkably like Neil Young. Perhaps after
all those years and albums later with Crazy Horsewho can forget
his amazing bass work on albums like After The Gold Rush and
Everybody Knows This Is NowhereTalbot is in the cards for
some long overdue recognition as a solo artist. Lets hope so because
Alive In The Spirit World is one heck of a fine CD. www.billytalbotband
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JOHN
FOGERTY
Deja
Vu All Over Again
(Geffen)
When
he helped induct Creedence Clearwater Revival into the Rock &
Roll Hall of Fame in 1993, Bruce Springsteen commented, Creedence
wasnt the hippest band in the world, but they were the best.
Creedence may have officially split up in 1972, yet they left a legacy
of song classics that sounded great (and still do) on hip FM radio as
well as Top 40 AM and even country and western stations. It was years
later, after his 1987 album, Eye Of The Zombie, that Fogerty
was coaxed back into singing his great Creedence songs adding, Gradually
I realized that these were not just my songs anymore. Now in 2004,
seven years after his 1997 album, Blue Moon Swamp, Fogerty returns
with his latest toe-tapping collection that takes a cue from the great
American pop-rock sound he helped to craft back in the late 60s.
Borrowing the title wording from an old Yogi Berra expression,
the song Deja Vu (All Over Over Again) takes a hard look
at the division and anxiety created in the aftermath of the Iraq war.
Hearing Fogerty sing the words, One by one I see the old ghosts
rising, Stumblin cross Big Muddy where the light gets dim,
sends shivers up your spine and you just know your listening to
the voice of experience. Its not all gloom and doom and Fogerty
receives stellar support from the best in the biz including Kenny
Aronoff (drums), Jerry Douglas (dobro), while sharing guitar
chores with Dean Parks and the great Mark Knopfler. From
the protest-peace vision of the title track to the Sun Sessions / Carl
Perkins vibe on tracks like Honey Do, Deja Vu All Over
Again is a welcome return from an American musical giant. www.johnfogerty.com
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MARK KNOPFLER
Shangri-La
(Warner Bros.)
Recording
out in California, U.K. guitar great Mark Knopfler keeps the great tradition
of great Warner Bros. pop albums alive and well with his 2004 CD, Shangri-La.
Recorded with his band of crack musiciansincluding fellow
guitarist Richard Bennett and keyboardist Guy Fletcherthe
14 track CD is a fine follow-up to his 2002 CD, The Ragpickers
Dream, and in fact the album was even influenced by recording location.
Knopfler adds, Old California seemed to go with a pile of the
stuff I was doing and some of it rubbed off on the recordings. I found
myself in the 60s a fair bit and even earlier influences from
when I was small, like Lonnie Donegan and The Shadows. Hank Marvin
references aside, the album features the latest Knopfler classics from
the man who paved the pop road back in the 70s and 80s with
Dire Straits hits like Money For Nothing and Sultans
Of Swing. Long time followers will completely enjoy the haunting
CD opener 5:15 a.m. and the hysterical social satire of
Boom, Like That. The album was recorded in the aftermath
of Knopflers motorcycle accident and thankfully with Shangri-La,
hes back on the right track. Featuring eye-catching cover
art, the liner notes supply complete lyrics and detailed list of all
the vintage guitars played by Knopfler and Bennett. www.mark-knopfler.com
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DAVID
BOWIE
A
Reality Tour
(ISO / Columbia)
Recorded
and filmed Dublin, Ireland on November 22 and 23, 2003, A Reality
Tour marks the first major concert film from Bowie in well over
a decade. Mixed for 5.1 surround sound by Tony Visconti, the
2 hour + A Reality Tour DVD clocks in with 30 live Bowie performances
including a number of tracks from his 2003 Reality CD. The tour
was cut short by his unfortunate illness in 2004, yet the DVD clearly
underscores Bowies perennial appeal as a concert artist. Armed
with a revolving set list of 60 songs, Bowies A Reality Tour
band consisted of guitarists Gerry Leonard, Earl Slick
and bassist Gail Ann Dorsey. Also appearing on the DVD is
long time Bowie side man Mike Garson on keyboards. Revving up
a number of vintage classics from The Man Who Sold The World, Hunky
Dory and Ziggy Stardust as well as his recent Columbia albums,
A Reality Tour DVD seals the deal with high tech state of the
art sound and Bowies own stage / lighting production. www.davidbowie.com



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